Archive for May, 2016


 THE ROADKILL CONNOISSEUR

Making the most of two squirrels!!

Southern Fried Squirrel”

& “Squirrel Pot-Sticker Dumplings”.

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Recipes and methods:

“Squirrel Pot-Sticker Dumplings”.

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These pot-sticker dumplings – also called ‘Gyoza’ – are a bit of a fusion signature dish of mine as they are quick to make, use only one pan and can contain tiny portions of ingredients.  Great if what you have to cook is small like a crow, magpie or tiny mammal.

Ingredients:

1 x roadkill squirrel (meat only for this recipe)
Small handful of shredded Chinese Cabbage

few sprigs of coriander and chives
1 x Spring Onion
2cm Ginger
1x tsp Sesame Oil
1 x Clove Garlic
Approx 16 Gyoza Skins (bought frozen from the Asian supermarket)

For the frying pan
A tspn of Sesame Oil
Enough hot water to cover the dumplings half way up.

 Dipping Sauce:
1 tbsp Soy Sauce
1 tbsp Saki
1 tspn Mirin
Sprig of coriander and a chilli to garnish (optional)

Method:

Skin squirrel then remove as much meat as possible from the bones and mince with a sharp knife. It’s fiddly work!  Chop vegetables, blend all dumpling ingredients together and let stand for 10 minutes to allow flavours to mix.  The dipping sauce can be made whilst the dumplings are cooking, simply blend ingredients together and garnish!

Add mixture to dumpling cases and form a tight seal at the edges.This method uses the fry and steam method and will take about 14 minutes per batch of around eight dumplings. Heat the pan, drizzle the oil over the base, and when hot, add the dumplings flat side down.  Add water and cover the dumplings half way up their sides. Place a tight fitting lid on the pan and turn down the heat to medium – simmer and steam.  Remove lid when water has completely evaporated and fry for a minute more and remove when their bottoms are golden brown.  Serve crispy side up.  There you have it!  Easy peasy, Tufty-Tastic, “Squirrel Pot-sticker Dumplings”.

Next….

Southern Fried Squirrel”

southern-fried-squirrel

Ingredients:

1 x roadkill squirrel

Sprig of coriander and a chilli to garnish (optional)

For the wash
1/4 pint of water
Squirt of your favourite chilli sauce!

For the flour
1 x tspn corn flour
1 tspn salt
1 tspn pepper
1 tspn garlic powder

For the frying pan
Enough oil or lard to shallow fry

Method:

Remove legs from skinned squirrel.  Marinate in the chilli wash for 10 minutes.  Heat the pan and oil ready for frying.  Remove squirrel legs from wash and coat thoroughly in flour mix.  Add to hot oil and fry on a medium heat, not too hot, until cooked through and golden brown.  Drain on a piece of kitchen roll.  Serve with garnish.

They are also delicious dipped in the dipping sauce recipe used for squirrel Pot-Sticker Dumplings.  Other small animal legs, wings or strips of meat can be substituted for this recipe!

Cleaning up:

Don’t waste the squirrel!  Boil the carcass to make a Squirrel Soup stock.  The skin can also be preserved to make a little squirrel skin rug.

So please do try these two delicious recipes…. they truly are the “Squirrels Bollocks”! lol

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squirrel with balls

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Southern Fried Squirrel”

& “Squirrel Pot-Sticker Dumplings”.

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IMG_1042

A ‘How to’ film for the MUNCHIES food Channel.

I spent a very pleasurable half day with two guys from VICE / Freemantle Media UK making a show for their “How to…” series.

MUNCHIES chronicles the wide spectrum of the global culinary experience. They liked how I combine roadkill with various forms of cookery styles and ingredients and asked if I would cook for the show. I enjoyed links to the other episodes so said yes!

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I made two of my “Feral Fusion” recipes using squirrel – “Southern Fried Squirrel” & “Squirrel Pot-Sticker Dumplings”.  They were very tasty and the show is pretty funny, lol.

 

freemantlemedia uk

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“Raising The Skirt 2015″

Thrilled to be one of this years participants.

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raising the skirt 1 warrior 1

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I was drawn to a previous posting of the first RAISING OF THE SKIRT (in 2014) months ago and was compelled to Google further.  I found a website and read and listened with tears in my eyes and on my cheeks to some of the Odes to our beloved Cunts.  They resonated deeply.  Once again I realised that despite plenty of personal growth work already, I still owed my precious vagina so much more.

So when a “Call For Participants” popped onto my radar I sat bolt upright and started typing.  I sent in my CV and cover letter the artist Nicola Canavan, introducing myself and my story….  I was chosen.  I was delighted and I felt vitalized.

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(Taken from my initial Cover Letter to Nicola…)

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It saddens me to say that I hated my Yoni for years.  I blamed her for being useless, for hurting all the time, for ruining my relationships.  Despite feeling pain and discomfort whilst making love and for days after I wanted to please my previous partners in bed.  I believed this was simply because I loved them but more subconsciously it was because I was afraid to ‘lose’ them.  Then, after over 20 years of gynaecological issues, and all the ‘head crap’ that goes with it, I was cured!!  Well, almost, lol.  The medical profession can only take healing so far, the rest has to come from within.  This was in 2001.

The true healing of my heart, mind and yoni began in 2007 when I left a huge chunk of my previous life behind and spent an entire year shacked up in my studio, single and loving it!  I documented my inward journeying in a variety of media.  I explored old fears and patterned behaviours, new ideas, people, places and opportunities.  I began consciously “Healing My Temple Door”.

But how do you discipline yourself into opening and surrendering to love when you are hurt, afraid, or angry?  I began to practice.  Slowly I began to love my body again.  I read some fantastic books.  I delved deeply into death and the archetypal psyche of truly wild and witchy women.  I discovered ‘me’ again and so much more.

So, whilst in the sanctuary of my studio, after over two decades of frustration, fear and failed relationships I felt ‘fixed’ enough to be confident and powerful about my budding and belated sexuality!  I boldly decided to make my exciting journey public.  It took a lot of courage to ‘come out’ with regard to my sexual history and private mental tortures.  So many of us suffer as a result of poor sexual health, trauma and the pressures of conforming to a skewed and outdated socio-cultural model of what it is to be an ‘acceptable’ woman’.  I wanted to reach out, seek and include others who have experienced similar; women (and men) who actively want to heal heart, mind and yoni, to dissolve the collective female ‘pain-body’.

I have always been a ‘pusher of boundaries’ and have done some extraordinary things in my lifetime.  I love my life.  I have been a beacon for many women.  I still however struggle with deep-seated low self-esteem issues despite outwardly being incredibly confident and fearless.

Now I am in a solid, sexual and spiritual relationship.  I am still encouraged to be all that I can be.  I still feel the need to know and work on myself from time to time, especially since I have recently started the MENOPAUSE!

Now I face a new challenge.  I have searched for a suitable vehicle to take me on this deeper journey of personal growth but struggle to find ‘non fluffy’ events, workshops or like minded women that can facilitate them.  Then I found this event.  I can’t explain my excitement.  Is this the vehicle for me?  Whatever the decision, I will continue on my path and continue to grow.  I am simply happy that these events exist, and that transgressive female artists and other exceptional and empowered women are no longer burned at the stake for breaking out of our patriarchal constraints.

 

Thank you so much for your gifts and of the ‘Raising the Skirts’ dear Nicola. Viva Vaginas!! Lol.

 

Yours sincerely

 

Alison Brierley. (8th May 2015)

 

 

 
1. A ‘gentle’ introduction to my taxidermy work, lol. “The Story of the Testicle Earrings!” –
https://alisonbrierley.wordpress.com/blog/

3. “HERNE’S HORN” – This was debuted at a festival, as are many of my performance pieces… it explored the masculine nature of women. It was a piece in response to ‘Kali’s Pants’ (Beaver Merkin) which explored and exaggerated the darker feminine aspects of the female psyche, Vagina Dentata and Kali. The horn is rhino and symbolises the lengths we have to go to be regarded as an equal… ie: grow our own cock! lol.

4. “THE ‘HAREY’ PURSE” – SHAMANIC ROADKILL FERTILITY FETISH OBJECT – Made from a hares head and various found and recycled objects.

5. SHEELA-NA-GIGS – Ancient fertility paintings and lino cuttings using placenta blood.   https://alisonbrierley.wordpress.com/2014/04/25/sheela-na-gig-placental-blood-lino-printing-fertlity-art/
 
6.  “Healing The Temple Door” – A Journey of Self Realisation and The Return of “Libido” – A POEM! (WARNING – EXPLICIT)
https://alisonbrierley.wordpress.com/2013/05/14/healing-my-temple-door-a-journey-of-self-realisation-and-the-return-of-libido-a-poem/
 

7. “My MASSIVE Vagina” aka “My Purring Pussy” aka “Festive Fadge” aka “The Temple Door” – A few years ago a giant vulva that graced a red tent opening.  My intention was to create a safe healing area/ re-birthing womb space for women to discuss issues around vaginas, heart and sex. It debuted however a ‘hobbit’ size honey moon suite for some dear friends at their Hand Fasting.  It was also used in the evening to ‘collar’ a few blokes we thought were total ‘cunts’ for a bit of Gurning… It hangs on the dining room wall at the moment. It was decorated in tinsel at Christmas and now has a loud purring and meowing mechanism installed.  Last week it was used for a Beltane ritual at a Rent Tent gathering.

8.   “POLARITY” – Cernunnos and The Bringer Of Light to Dark Places – AKA – The Horned Lord and the Witch. FERTILITY ART
https://alisonbrierley.wordpress.com/2014/09/18/polarity-cernunnos-and-the-bringer-of-light-to-dark-places-aka-the-horned-lord-and-the-witch-fertility-art/

9.  PLACENTA PABULUM – ART & COOKERY & COMMISSIONS – “Even before I became pregnant, I knew that I would do something special with it”.  https://alisonbrierley.wordpress.com/2013/04/18/preoccupied-with-placentas-10-experimental-adventures-making-beautiful-things-from-placenta-placenta-art-cookery/

10.  “MENOPAUSE” – Crow Woman – “I grow my black wings and scream in silence, stand back or I may tear out your soft throat with my teeth and paint my lips with your hot red blood”.   This is my latest work, drawn just last week.  Two poems accompany her but they are yet to be tweaked. I am in the process of collecting menstrual blood using a moon cup to paint the finsihed portrait.

“Menopausal Crow Woman”

The Truth Telling Years

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Medusa Truth tweeked

Marker pen and Menstrual Blood (Phase Three 2015)

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“Menopausal Crow Woman”

The Truth Telling Years

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Salutations Kali
Dark Goddess
Truth Sayer
Little Death Bringer
Devourer
Love me with All of your heart Benevolent Mother
Love me while you tear me apart and bestow your Dark Gifts
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I Know You Medusa
Adorned in Blood Serpents
Shedding your many Skins
Eyes blazing
Forever Transforming
Evolving
You insist you assist in my Peeling
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I Feel You Crow Woman
Emerging from my very core
Imparting the Deep Knowledge I have always Known
In my Blood
In my Bones
In my Chromosomes
The Wisdom of the Crones
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Deep Gratitude
For Many things
For my fledgling black wings
I stretch and flex,
Admiring their beauty and dark luminescence
One of many Gifts
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Compensation for the challenges of the Change
For the wrinkles and graying hair
On head, chin and down there
Preparing for the Blood to dry,
Eggs to die
For the now bi-monthly ‘Brain Fry’.
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 Fear and Release
As I slough the Layers from this Great Fuck-Off Onion
Feeling raw and exposed
My Heart aches like never before
Full of overwhelming Compassion,
Rage and Woe
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I visit the dark places
In my Mind
In my Psyche
Full of pain and fearful things
Doors and Boxes locked long ago
Inviting the Little Deaths so that I can grow
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So Beautiful
This flower
This Wise Gaping Wound
This Oracle of Change and Truth
Flowing
Now irregular and unexpected
Past the Velvet Folds looking a bit tattered and torn
This metaphorical Sheela with teeth
I claim them back
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“Come in!”
Come in to my cavernous nether mouth
Taste me, take me, devour me
I offer you the universe
In Exquisite details
Don’t dare oppress me, suppress me
For I WILL castrate you
Rip off and out your cock and throat
Paint all of my lips with your hot blood
Cloth myself in your entrails.
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But I still love you
With all of my heart
Even when I am tearing out yours.
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Kali
Medusa
Dark Goddess
Truth Sayer
Little Death Bringer
Devourer
Love me with All of your heart Benevolent Mother
Love me while you tear me apart and bestow your Dark Gifts
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by Alison (Tribal) Brierley
(2015)

“Plain (Menses) Sailing” – PMS

Artwork by Alex Alice

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Don’t believe the head chatter
And it’s all Plain Sailing
A calm and uneventful crossing
A ‘breeze’
A gentle navigation
Through the Cyclic waves
Hardly noticed

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Some occasions are a bit chillier
A bit choppier
Choppier of waves and winds
Choppier of heads
All have been known to roll

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Once in a while there’s an all out Storm
In the darkest of nights
HUGE waves
Tossing you this way and that
Walls of blackness
1000 feet high
Veils of impending velvet doom
Like giant Nosferatus
Menacingly loom over you

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Pressure!
Tremendous pressure!
Tremendous crashing
Bashing and slashing
Picking you up then smashing you down
To drown
Sails are torn and tattered
Nerves shattered
Flung far into the unknown
Uncharted waters
Totally lost

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No respite
Hulls are ripped open
Black liquid pain
Leaks from the cracks that have appeared
Cracks that are new
Cracks that are old
Patched up cracks
Smoothed over and glossed over cracks
Forgotten
Until now

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Pressure!
Tremendous pressure!
Just to keep afloat
To save this boat
To keep sailing
To keep smiling
Keep working
“WARNING!!”
“IMMINENT DEATH APPROACHING”

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The vessel Explodes
Medusa speaks her Truth
I pray for survivors
Then a watery demise
A bursting of tears
A river nesting in an ocean
A surrendering to despair
“PLEASE!! Is there ANYBODY out there?”

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Just as quickly as it arrived
The storm breaks
The wind knocked out of sails
The sea of salty tears slows
Ebbs and flows
Then stops

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I am Beached
The wind is now a breeze
A new calm fills this aching, exhausted body
Warmth on back
Pretty turquoise sea
Tickling my toes
Fingers sift soft sand
I am back
I am me

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Stillness
Deep gratitude
A new level is reached
No one else was wrecked
But the hull is still breached

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Old junk and gunk still leak
Now just flotsam and jetsam
Bit by bit
Washed away
With each new breath
Each new wave

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The sun shines again
Shines a light on the darkness
Breaks the brooding clouds apart
Warms a broken heart
Gives you what you need
To stay strong
To stay sane
To return to the mundane
To navigate another storm
Another day
Next month say…?

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By Alison (Tribal) Brierley

(2015)

 

“THE SILK PURSE” -aka- “PEPPER PIG”

Pigs Head Terrine

Made with the whole head, in particular the Ears!

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“This dish was totally awesome, the flavours and textures rivaled any I’ve had in my favourate restaurants!  This terrine was made out of a pigs ear and a trotter!  It was a beautiful thing to look at, and tasted damn good too, dipped in an Asian style sauce made from soy sauce, mirin and sake, with ginger, garlic and spring onions…. mmmmmm!”  

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TERRINE is one of my favourate dishes!!  It has humble beginnings as a hearty meal for French labourers, but is now served in upscale restaurants as a starter.  You can experiment with terrine ingredients as much as you wish, nothing is carved in stone when it comes to these kinds of recipes!  It depends on what nature offers you at the time and your personal tastes!

Since the meat mixture is best marinated and left in the fridge for a day, cooked and cooled the next day and then left up to two days for proper pressing to occur, terrine can be a time-consuming dish. But it doesn’t have to be!

pig headThis terrine came about whilst visiting a friend in Scotland.  My friend and I often swap oddities, techniques, recipes and make things from dead bits, this occasion was no different.  This trip consisted of much outdoor cookery, taxidermy practice and a pigs head!

Ingredients 

  • 1 pig head
  • 2 tblsp pink peppercorn
  • 1 tblsp black peppercorns
  • dash salt and pepper

“I don’t always use bacon to line the tin, often I use a jelly, say, from a pigs head, ham hock or trotters.  I  like to decorate the top (first layer in the tin) with a few foraged edible leaves and/or fruits“.

Other Ingredients 

Asian dipping sauce! 

  • Soy sause
  • Sake
  • Mirin
  • ginger
  • garlic
  • Spring onions

pig head brawnMethod 

“The gelatin removed from the meat is used as a preserving & jellying agent (as in the making of pork pies).  Nowadays artificial gelatin is often added, but I prefer the traditional method”.

  1. Boil the pig head in a large pan covered with water until the meat starts to fall off.  Then pull as much meat off as you can.
  2. Make a pork ‘binding’ jelly.  This can be made a day in advance by boiling the trotter or hock in a sauce pan, then simmering on a low heat for 3 hours, until the skin dissolves and the knuckles separate.
  3. Season the jelly with salt and pepper
  4. Line the tin in layers, starting with the pink peppercorns.  Add layer by layer of meat pausing to pour some of the melted jelly binder.
  5. When finished put in fridge till set.
  6. Turn out and serve with the delicious Asian dipping sauce.

 

 

Also think about including… 

  • Foraged herbs and fruits of your choice – autumnal fruits such as plums, blackberries,cherries, apple or apricots work really well!  Be creative!!  Why not make your own chutney too?
  • Wild foraged meat – ROADKILL!

I often make my terrines from Accidental Meats/ Roadkill.  It sparks conversation and debate….

 

 Making Roadkill Pies for Come Dine With Me“…so whats the difference?”

Wild Game Terrine was one of the dishes I served up on Come Dine With Me many years ago, alongside Curried Pheasant & Quinoa Roadkill Pies.  I served two dishes as I wanted to spark a debate if my guests wouldn’t eat the roadkill, but would eat the butcher bought meat.  My question was – “so whats the difference?”  It was the same wild animal, the difference being one had been deliberately shot with a gun, the other had been accidentally hit by a car!  If it was a question of ethics, which one was the most humane?  If it was a question of freshness, one had been hit by a car within a few hours, the other had been hung for over a week in the butchers shop…. which one would you eat?

As it happened they devoured them, and loved it all!    Phewwww!!

Click here for the 2 min trailer…

I hope you enjoy my other ROADKILL & “FERAL FUSION” recipes!

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“FOOT & FADGE” – Roadkill Terrine – “FERAL FUSION” – Wild Food Recipes with Trotters, Uterus and Goji Berries

 

Roadkill Rabbit and Pheasant Terrine with Pig’s Uterus, Trotters, Bacon and Goji Berries.

Enjoy!!

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“Big Cat Warrior Tribal Choker”

Tooth, Bone and Bead Necklace

Made from recycled materials, cow bone, wooden beads and a pair of Giant Cat teeth.

 (Completed in 2007)

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“When you can speak your heart to the people – clearly and without fear – honour, bravery and victory are yours”.

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Native Americans often crafted and wore jewelry carved from bone and horn parts.

The ‘Bone Choker’ provided physical protection of the neck and the jugular vein during battle and fighting in the hope to deflect an arrow shot at them by an enemy during war parties.

Bone chokers are also believed to provide spiritual protection of the voice.  It was said that the Spirit shall also provide a great speaking ability when wearing a properly made bone choker that always speaks the truth and guides the warrior to speak from the heart.

By wearing a bone choker, the spirits of the animal they come from were believed to provide protection from all kinds of troubles and even disease.

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Bone chokers were originally made from bird leg bones.

“The spirit of the bird could be invoked to protect the person’s voice from ailments, jealousy or fatigue.  The bird was not always killed to make the chokers. Most often they were found after a predatory animal had already killed them or they had died a natural death. This was considered a good sign when found. Not only for the people who needed the chokers but for the bird, so it’s life would be of honor, value and service”.

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I wear this choker for special, spiritual and ceremonial occasions, when I feel my voice needs to be true, strong and direct.

I made this originally from a recycled cow bone belt that I bought in Bali, during a Big Trip in 2001-02.

The belt sat with some other souvenirs in a box for many years, until I made a trip to Cambodia in 2007 and acquired the “Big Cat’s” Teeth.

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The Cambodian trip was a solo trip that immediately followed a huge fight and subsequent breakdown of a relationship and business partnership.  I literally threw my passport, a pair of knickers and my credit cards into a bag and drove to the airport.  I guess I ran away… I was at my tethers end.

It was necessary at the time to throw myself to the mercy and wisdom of the Universe, alone and accepting.  I was in great emotional pain.

I wanted to re-find myself, to rediscover my TRUTH, VOICE and COURAGE and begin my life all over again.

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The M Team with some of the kids.

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When I consciously opened my heart to the universe and decided to throw myself into whatever opportunity arose, I had a chance meeting in a random guest house in Phenom Penn.

The very next day I began working with an independent mobile medical unit that delivered first aid and medical attention to the displaced refugees in a camp just outside the Cambodian capitol.  These refugees had been forced to live in pretty horrific, unsanitary conditions and the stories they told were heart breaking… as if this country hadn’t suffered enough under Pol Pot!!

I dressed woulds, administered meds and assisted the doctor with general & dental support. I chatted to the people and played with the children. I also was a blood donor and gatherer of other potential backpacker donors as Dengue Fever among the locals was claiming lots of lives and massive transfusions were needed, especially for the children.

Towards the end of my trip these large cat teeth were gifted by a toothless old man, as a Thank You.

Alas, despite feeling the love and warm emanating from his heart, I couldn’t understand the language so didn’t hear from what big cat these teeth came from… all I picked out was “BIG CAT”.

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This trip reset my moral compass and reminded me of what I could achieve regardless of any relationship.

My “Big Cat Tribal Choker” necklace is a reminder to always act from the HEART and speak my TRUTH.

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As with a lot of my work, I aspire to gently push the viewer, including myself, to question preconceptions and socio-cultural taboos by creating something beautiful and compelling from something dead and/or socially repulsive.

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Look out for blogs on my other ART projects – SHAMANIC ROADKILL CAPE, PLACENTA  ART & COOKERY, PLACENTA BOOTIES,  PLACENTA DISCO-BOOTIES, SHAMANIC SHAKTI BEAVER MERKINANTI  BADGER-CULL TRIP-TIC, ROADKILL SQUIRREL TESTICLE EARRINGS  , BURNING-MAN ASARO MUD-FAMILY PERFORMANCE ART JAPANESE WISHING TREE

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“The ‘Harey’ Ushanka”

AVIATOR/ TRAPPER HAT

harey ushanka 3

Made from recycled materials and a Roadkill Fox and Hare.

 (Completed in 2013)

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The “Ushanka”- meaning  literally “ear hat”.

This style of hat is found across the globe,  protecting the ears of bright-eyed and bushy-tailed Canadian Mounties, continental police officers, pouting models on catwalks, and pretty much everyone in between, from temperatures as low -70c.

The Ushanka hat has been worn in Russia, Scandinavia and Germany for centuries, and there are  suggestions of it having been worn by nomads of central Asia and the arctic.   Often made with sheepskin, or thick muskrat, rabbit and mink fur.  The ear flaps provides warmth and protection from wind, impact and falling winter hazards, like icicles or branches.

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This hat was made for my new baby.

The outer was made from a pair of recycled suede trousers.  The inner was made from my little ones snugly orange pumpkin Samhain baby-grow.  The white ear flaps were made from the tip of a Roadkill Fox’s tail.  The rest of the fur is from the same Roadkill Hare that was utilised in the making of “THE ‘HAREY’ PURSE” fertility fetish object.

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I guess what surprised me the most about making this hat was how damn quickly he grew out of it, lol.

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For more information on the making of the

“THE ‘HAREY’ PURSE” – SHAMANIC ROADKILL FERTILITY FETISH OBJECT

(Completed in 2009)

read on….

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This project began in 2009 during a week-long ‘walk-about’ following the death of my father, and shortly after the decision to start a family with my current partner.

I found the Hare at the side of the road only 20 minutes into my lone travels around the North of England and Scotland.

She came with me the rest of the way, my travelling companion,  and bit-by-bit, she was eaten, shared, processed and learnt from, becoming part of the journey, and touching every person we came into contact with, in a deep and meaningful way.

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H2840008 H2840035

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Over the following 16 months (it took a while for an old bird like me to conceive, lol) her bulging vulva was slowly stuffed and filled with little sacred objects, each having special significance: a carved penis from a dear friend; a small piece of chalk flint from the phallus of The Cerne Abbas Giant; a fossil spiral; a shell; a sculptured clay zygote from another dear friend; and a bird’s egg.

Eventually, I couldn’t fit anything else in her.

She now dangles in the window of my motorhome as we drive along, bobbing away to music and the rhythm of the road surfaces, up-front and part of our lives.

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Makes a change from fluffy dice!

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To read the full blog click here!

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As with a lot of my work, I aspire to gently push the viewer, including myself, to question preconceptions and socio-cultural taboos by creating something beautiful and compelling from something dead and/or socially repulsive.

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Look out for blogs on my other ART projects – SHAMANIC ROADKILL CAPE, PLACENTA  ART & COOKERY, PLACENTA BOOTIES,  PLACENTA DISCO-BOOTIES, SHAMANIC SHAKTI BEAVER MERKINANTI  BADGER-CULL TRIP-TIC, ROADKILL SQUIRREL TESTICLE EARRINGS  , BURNING-MAN ASARO MUD-FAMILY PERFORMANCE ART JAPANESE WISHING TREE

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